DANIEL BRANDT – ETERNAL SOMETHING
Su Erased Tape Records / Audioglobe – data di uscita: 24 Marzo 2017
CON IL SUO DEBUTTO DA SOLISTA (DANIEL È CO-FONDATORE DEL FAMOSO ENSAMBLE ELECTRO-ACUSTICO TEDESCO BRANDT BRAUER FRICK) ENTRA DALLA PORTA PRINCIPALE DELLA ERASED TAPES RECORDS, L’ETICHETTA CHE MAGGIORMENTE IN EUROPA HA PORTATO ALLO SCOPERTO UN MONDO FATTO DI MUSICA CONTEMPORANEA (POST-CLASSICA/NEO-CLASSICA), DIVERSA, UNICA E ATIPICA, CREANDO UN FORTISSIMO BRAND CHE ORAMAI È IDOLATRATO IN TUTTO IL PIANETA.
Ascolta e condividi KALE ME, il primo estratto dall’album ETERNAL SOMETHING, da qui:
Daniel riguardo la curiosa registrazione del brano KALE ME (si parla di lavatrici…):
ho iniziato a registrare KALE ME nel mio studio casalingo quando ad un certo punto la lavatrice in bagno è impazzita. Suonava come un gigantesco rave rotto. Ho immediatamente fatto uns et up di microfoni e ho registrato il ciclo completo della lavatrice e poi l’ho inserita nel brano. La lavatrice ha finito proprio in tempo per registrarla e dopo non ha mai più fatto quei suoni. Sono stato parecchio fortunato devo dire! – Daniel Brandt
What started off as a more simplistic idea soon evolved into something a lot more complex as the London and Berlin based music producer travelled across the world, experimenting with various other artists and different instruments. From his father’s cabin based in the German countryside with access to nothing but cymbals, to being surrounded by guitars in Joshua Tree, his unexpected journey soon progressed into what became his first solo album.
Daniel played nearly all instruments himself with the only exception being fellow musicians Florian Juncker on trombone, ManuDelago on hang drum and Andreas Voss on cello. Using his Berlin studio as his main base for recording, Brandt created an album that encapsulates the idea that despite setting out with a particular creative vision, external influences and environments will always shift the process, and create an Eternal Something.
Words from Daniel, January 2017:
“The initial idea was to make a cymbal album. I wanted to surround myself with all types of cymbals. I locked myself into my father’s cabin in the woods for three days. That was the moment I realised it was not possible for me to make an album just with cymbals because other ideas and instruments imposed themselves on me. I had a clear sense of what I wanted to do now. The intention was to let the songs evolve by themselves and not edit too much, keep it raw and have an explosion-like energy to them. I wanted to create a different sound, songs that build up like dance tunes but don’t feel like club music at all. Travelling around in California for two months gave me the possibility to deeply get into this concept outside my normal environment. Robert Raths, who served as a great motivator throughout the whole process (I guess he had listened to the record more than I ever had) came up with the perfect order for the songs. This record is about failing to make the original plan happen, but then the discovery of something I couldn’t even think of before.”
Prior to being enlisted to create the album artwork, Iranian artist Shaz Madani coincidentally had also planned a trip to Joshua Tree where she documented her own experience of Eternal Something, forming the visual counterpart to the record.
PREVIOUS PRESS for his trio project:
‘Concert hall compositions for the clubbing generation’ – BBC Music
‘Classically trained, dancefloor-literate sound scientists’ ★ ★ ★ ★ – The Guardian
‘New heights of imagination and technical accomplishment’ 7.8 – Pitchfork
‘Percussively pleasing’ 8/10 – The Line Of Best Fit
AUTORE: DANIEL BRANDT
TITOLO: ETERNAL SOMETHING
RELEASE DATE: 24/3/2017
ETICHETTA: ERASED TAPES TRECORDS / AUDIOGLOBE
- Chapparal Mesa
- The White Of The Eye
- Turn Over
- Kale Me
- Eternal Something
- Casa Fiesta
- On The Move